Don't just take my word for it. The reviews are in, and here's what the critics are saying:
"This story lives and dies in the body of Cio-Cio-San, played marvelously by soprano Maria Kanyova."
"Kaneko's costume and set design is unavoidably stunning...At times seeing the set change is like watching an abstract painting being made."
"...there is no doubt Rawls has the tenor chops for the role [of Pinkerton]. Even while carrying Kanyova, he hits massive high notes that spin and soar into the hall."
"Baritone Grant Youngblood is a fine Sharpless, Pinkerton's older and wiser friend, infusing the role with believability and gravitas. As Suzuki, mezzo-soprano Heather Johnson is also a pleasure, notably in her gorgeous second act duet with Kanyova."
"Maestro Leonardo Vordoni's conducting is expressive and responsive..."
"Leslie Swackhamer's direction creates an image of the East that is no longer exoticized, but instead, a kind of imagined place where moons drip blood and silent, black-clad dancers move in stylized patterns across the stage."
-Lindsay Christians, The Capital Times
"Friday night's Madison Opera performance in Overture Hall had that outstanding singer--and actress--in Maria Kanyova...Her "Un bel di" was striking."
"...the gorgeously colored, geometrically inspired, minimalist set had a striking impact, as did the colorful costuming and computerized special effects...The set design by Jun Kaneko...was beautiful."
"...Arnold Rawls was consistently strong, with a sure, strong top of the range."
"Grant Youngblood's Sharpless...had vocal warmth."
"Heather Johnson was fine as Suzuki..."
"...musicians of the Madison Symphony Orchestra were nearly faultless."
-John Aehl, Wisconsin State Journal
There's only one more performance of Madison Opera's Madama Butterfly: tomorrow, Nov. 23 at 2:30 pm!